Swedenborg; or, the Mystic from Representative Men (1850) by Ralph Waldo Emerson

This theory dates from the oldest philosophers, and derives perhaps its best illustration from the newest. It is this, that Nature iterates her means perpetually on successive planes. In the old aphorism, nature is always self-similar. In the plant, the eye or germinative point opens to a leaf, then to another leaf, with a power of transforming the leaf into radicle, stamen, pistil, petal, bract, sepal, or seed. The whole art of the plant is still to repeat leaf on leaf without end, the more or less of heat, light, moisture and food determining the form it shall assume. In the animal, nature makes a vertebra, or a spine of vertebrae, and helps herself still by a new spine, with a limited power of modifying its form,- spine on spine, to the end of the world. A poetic anatomist, in our own day, teaches that a snake, being a horizontal line, and man, being an erect line, constitute a right angle; and between the lines of this mystical quadrant all animated beings find their place: and he assumes the hair-worm, the span-worm, or the snake, as the type or prediction of the spine. Manifestly, at the end of the spine, Nature puts out smaller spines, as arms; at the end of the arms, new spines, as hands; at the other end, she repeats the process, as legs and feet. At the top of the column she puts out another spine, which doubles or loops itself over, as a span-worm, into a ball, and forms the skull, with extremities again: the hands being now the upper jaw, the feet the lower jaw, the fingers and toes being represented this time by upper and lower teeth. This new spine is destined to high uses. It is a new man on the shoulders of the last. It can almost shed its trunk and manage to live alone, according to the Platonic idea in the Timaeus. Within it, on a higher plane, all that was done in the trunk repeats itself. Nature recites her lesson once more in a higher mood. The mind is a finer body, and resumes its functions of feeding, digesting, absorbing, excluding and generating, in a new and ethereal element. Here in the brain is all the process of alimentation repeated, in the acquiring, comparing, digesting and assimilating of experience. Here again is the mystery of generation repeated. In the brain are male and female faculties; here is marriage, here is fruit. And there is no limit to this ascending scale, but series on series. Every thing, at the end of one use, is taken up into the next, each series punctually repeating every organ and process of the last. We are adapted to infinity. We are hard to please, and love nothing which ends; and in nature is no end, but every thing at the end of one use is lifted into a superior, and the ascent of these things climbs into daemonic and celestial natures. Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.
Gravitation, as explained by Newton, is good, but grander when we find chemistry only an extension of the law of masses into particles, and that the atomic theory shows the action of chemistry to be mechanical also. Metaphysics shows us a sort of gravitation operative also in the mental phenomena; and the terrible tabulation of the French statists brings every piece of whim and humor to be reducible also to exact numerical ratios. If one man in twenty thousand, or in thirty thousand, eats shoes or marries his grandmother, then in every twenty thousand or thirty thousand is found one man who eats shoes or marries his grandmother. What we call gravitation, and fancy ultimate, is one fork of a mightier stream for which we have yet no name. Astronomy is excellent; but it must come up into life to have its full value, and not remain there in globes and spaces. The globule of blood gyrates around its own axis in the human veins, as the planet in the sky; and the circles of intellect relate to those of the heavens. Each law of nature has the like universality; eating, sleep or hybernation, rotation, generation, metamorphosis, vortical motion, which is seen in eggs as in planets. These grand rhymes or returns in nature,- the dear, best-known face startling us at every turn, under a mask so unexpected that we think it the face of a stranger, and carrying up the semblance into divine forms,- delighted the prophetic eye of Swedenborg; and he must be reckoned a leader in that revolution, which, by giving to science an idea, has given to an aimless accumulation of experiments, guidance and form and a beating heart.

 He saw nature "wreathing through an everlasting spiral, with wheels that never dry, on axles that never creak," and sometimes sought "to uncover those secret recesses where Nature is sitting at the fires in the depths of her laboratory"; whilst the picture comes recommended by the hard fidelity with which it is based on practical anatomy. It is remarkable that this sublime genius decides peremptorily for the analytic, against the synthetic method; and, in a book whose genius is a daring poetic synthesis, claims to confine himself to a rigid experience.
He knows, if he only, the flowing of nature, and how wise was that old answer of Amasis*(23) to him who bade him drink up the sea,- "Yes, willingly, if you will stop the rivers that flow in." Few knew as much about nature and her subtle manners, or expressed more subtly her goings. He thought as large a demand is made on our faith by nature, as by miracles. "He noted that in her proceeding from first principles through her several subordinations, there was no state through which she did not pass, as if her path lay through all things." "For as often as she betakes herself upward from visible phenomena, or, in other words, withdraws herself inward, she instantly as it were disappears, while no one knows what has become of her, or whither she is gone: so that it is necessary to take science as a guide in pursuing her steps."
The pursuing the inquiry under the light of an end or final cause gives wonderful animation, a sort of personality to the whole writing. This book announces his favorite dogmas. The ancient doctrine of Hippocrates, that the brain is a gland; and of Leucippus, that the atom may be known by the mass; or, in Plato, the macrocosm by the microcosm; and, in the verses of Lucretius,-


 "The principle of all things, entrails made
Of smallest entrails; bone, of smallest bone;
Blood, of small sanguine drops reduced to one;
Gold, of small grains; earth, of small sands compacted;
Small drops to water, sparks to fire contracted";

and which Malpighi had summed in his maxim that "nature exists entire in leasts,"- is a favorite thought of Swedenborg. "It is a constant law of the organic body that large, compound, or visible forms exist and subsist from smaller, simpler and ultimately from invisible forms, which act similarly to the larger ones, but more perfectly and more universally; and the least forms so perfectly and universally as to involve an idea representative of their entire universe." The unities of each organ are so many little organs, homogeneous with their compound: the unities of the tongue are little tongues; those of the stomach, little stomachs; those of the heart are little hearts. This fruitful idea furnishes a key to every secret. What was too small for the eye to detect was read by the aggregates; what was too large, by the units. There is no end to his application of the thought. "Hunger is an aggregate of very many little hungers, or losses of blood by the little veins all over the body." It is a key to his theology also. "Man is a kind of very minute heaven, corresponding to the world of spirits and to heaven. Every particular idea of man, and every affection, yea, every smallest part of his affection, is an image and effigy of him. A spirit may be known from only a single thought. God is the grand man."
The hardihood and thoroughness of his study of nature required a theory of forms also. "Forms ascend in order from the lowest to the highest. The lowest form is angular, or the terrestrial and corporeal. The second and next higher form is the circular, which is also called the perpetual-angular, because the circumference of a circle is a perpetual angle. The form above this is the spiral, parent and measure of circular forms: its diameters are not rectilinear, but variously circular, and have a spherical surface for centre; therefore it is called the perpetual-circular. The form above this is the vortical, or perpetual-spiral: next, the perpetual-vortical, or celestial: last, the perpetual-celestial, or spiritual."
 he broaches the subject in a remarkable note:- "In our doctrine of Representations and Correspondences we shall treat of both these symbolical and typical resemblances, and of the astonishing things which occur, I will not say in the living body only, but throughout nature, and which correspond so entirely to supreme and spiritual things that one would swear that the physical world was purely symbolical of the spiritual world; insomuch that if we choose to express any natural truth in physical and definite vocal terms, and to convert these terms only into the corresponding and spiritual terms, we shall by this means elicit a spiritual truth or theological dogma, in place of the physical truth or precept: although no mortal would have predicted that any thing of the kind could possibly arise by bare literal transposition; inasmuch as the one precept, considered separately from the other, appears to have absolutely no relation to it. I intend hereafter to communicate a number of examples of such correspondences, together with a vocabulary containing the terms of spiritual things, as well as of the physical things for which they are to be substituted. This symbolism pervades the living body."